I Dreamt I Was the Ground
Solo exhibition at Golsa, Oslo, 2024



Uprising (in the shadow of civilisation), 2024

Metal bars and wire
I Dreamt I Was the Ground
at Golsa, Oslo, 2024



Everybody, You, What Kind of a Heart Would a Blind Man Choose

Terracotta, graphite and pencil on canvas
I Dreamt I Was the Ground
at Golsa, Oslo, 2024



Everybody, You, 2017/2023

I Dreamt I Was the Ground

at Golsa, Oslo, 2024



I Dreamt I Was the Ground
at Golsa, Oslo, 2024



I Dreamt I Was the Ground
at Golsa, Oslo, 2024




No Name, 2024

Acrylic on canvas
I Dreamt I Was the Ground

at Golsa, Oslo, 2024




I Dreamt I Was the Ground
at Golsa, Oslo, 2024



Before your name, 2017

Terracotta.
I Dreamt I Was the Ground

at Golsa, Oslo, 2024




I Dreamt I Was the Ground
at Golsa, Oslo, 2024




Hahahahahhaahahahahahhahhahahhahahahahahahhahahahahahahahahahahahahahaa, 2024

Graphite and pencil on cotton.
I Dreamt I Was the Ground
at Golsa, Oslo, 2024




II, 2024

I Dreamt I Was the Ground

at Golsa, Oslo, 2024




My Nature, 2024

Metal bars, rescued rebars, metal wire.
Studio shot, Gustavsberg, Stockholm.



Oöolln-iln-bkj, 2024

at Liljevachls, 2024, Stockholm




Afterlife (in the shadow of civilization), 2024

Metal bars, rescued rebars, metal wire.
Studio shot, Gustavsberg, Stockholm.



Hope, 2023/2024

I Dreamt I Was the Ground
at Golsa, Oslo, 2024



No Name, 2024

I Dreamt I Was the Ground
at Golsa, Oslo, 2024




I Silence, 2023

The piece is a cast of the inside of my mouth.

I want to capture this location of silence. The mouth, a place of meaning-making. The mouth, the place of articulation, speech, shouting. The mouth, now, the place of silence. The resulting sculpture. My silent position in the world, materialised.

Aluminium.
at Parafin, 2023, London.


I, 2023

Graphite, charcoal and pencil on linen.
at Parafin, 2023, London. rt. Michelle Stuart.



Ujklkdsdssplmniugtkjlöihjoipokäjåpk, O, Death

Metal bars, rescued rebars, metal wire, graphite and pencil on canvas,
at Parafin, 2023, London. lt. Nika Neelova.



Birth (in the shadow of civilization), 2023

Reappropriated thrown away stainless steel, rebar, metal bar and wire.
at Pradiauto, 2023, Madrid.


Birth (in the shadow of civilization), 2023

Reappropriated thrown away stainless steel, rebar, metal bar and wire.
at Pradiauto, 2023, Madrid.

It Kinda Gets Inside You, the Silence I Mean, 2023

Graphite and crayon on cotton.
at Pradiauto, 2023, Madrid.

I Can’t Wait, 2023

Counterweight, rebar, metal bar and wire.
at Pradiauto, 2023, Madrid.

‘at one with the world’

Solo exhibition at Incubator, 2022, London.

 

The Undoing of Everything, 2022

Solo exhibition at Incubator, 2022, London.

 

Other, 2019

Solo exhibition at Incubator, 2022, London.

 

Öjkeqföälklegrkäerbkäbrejtlkjrtklj, 2021

Solo exhibition at Incubator, 2022, London.

 

No Name, 2022

Solo exhibition at Incubator, 2022, London.

 

Without Name, 2022

Solo exhibition at Incubator, 2022, London.

 

Yvfrhkkvlöåpknwefkjfkfdfw, 2022

Solo exhibition at Incubator, 2022, London.

 

Pgvsgsgcscsdgvvgdvjljvlevwlewlf!!1, 2022

Solo exhibition at Incubator, 2022, London.

 

O, 2022

Solo exhibition at Incubator, 2022, London.

 

Untitled (No More War), 2022

Solo exhibition at Incubator, 2022, London.

 

Ujklkdsdssplmniugtkjlöihjoipokäjåpk, 2022

Solo exhibition at Incubator, 2022, London.

 


No More War, 2022
Graphite and rust on cotton canvas

Group exhibition at Alice Black, 2023, London.

‘somewhere i have never travelled, gladly beyond’.

Nicoletti Contemporary, 2022, London. Paintings by Minh-Lan Tran.

 

A´Zhbanngdeghjaaionahohoamllm!, 2021

 

Weq-lqljjfnessness, 2021

 

Weq-lqljjfnessness, Oeuiddendum, 2021

Nicoletti Contemporary, 2022, London

 

Xxecessed, 2021

 

I Want to Learn the Words to Resist, 2022

 

Haha Love, 2022

 

Protest, 2022

 

‘somewhere i have never travelled, gladly beyond’.

Nicoletti Contemporary, 2022, London. Painting by Minh-Lan Tran.

 

II (framed), 2021

Saatchi, London Grads Now. 2021.

 

Out of Language, 2021

MFA Degree Exhibition, Goldsmiths, London.

 

Out of Language, 2021

MFA Degree Exhibition, Goldsmiths, London.

 

Out of Language, 2021

MFA Degree Exhibition, Goldsmiths, London.

 

Out of Language, 2021

MFA Degree Exhibition, Goldsmiths, London.

 

Out of Language, 2021

MFA Degree Exhibition, Goldsmiths, London.

 

Out of Language, 2021

MFA Degree Exhibition, Goldsmiths, London.

 

Unburied Voice, 2021

 

Excavated Hole, 2021

 

Excavated Hole, 2021

 

Not Yet Titled, 2021

 

III (framed), 2021

 

I (framed), I (unbound), 2021

Union Pacific. 2021, London. tr. Anderson Borba.

 

II (unbound), 2021

 

I (unbound), 2021

 

III (unbound), II (unbound), 2021

Union Pacific. 2021, London.

 

III (unbound), 2021

Union Pacific. 2021, London.

 

III (unbound), 2021

 
 
 

Excavated Hole, 2021

Femi’s sculpture garden. Deptford, 2021, London.

 
 
 
2015/2021. I LIE

I Lie, 2015/2021
Aluminium


The five objects are casts of the negative space of my mouth, when pronouncing the sounds of five letters. At the same time they are the positives of what would have become sounds of letters. The shapes of the muted letters together form what could have become a word.

Public commission for Plaza Protocol, 2021. Plaza Protocol inhabits an unfinished construction site of an underground shopping mall at the outskirts of Ljubljana.

 

I Lie, detail

 

I Lie, 2015


The five objects are casts of the negative space of my mouth, when pronouncing the sounds of five letters. At the same time they are the positives of what would have become sounds of letters. The shapes of the muted letters together form what could have become a word.

Inter Pblc, 2021, Copenhagen.

 

I Lie, 2015

 

I Lie, detail

 
 
 

Monument to a Hole, 2018


With this monument I want to inverse what a monument conventionally is. It is not raised, but rather is induced into the ground onto which we live our lives. It does not commemorate any real, nor fictional, historicized person, group of people or event. Instead, it memorialises absence. This monument acknowledges the darkened holes in our lives, the holes in our personal stories and collective histories. It provides space for what was left out when history was written.

Land 404, Gullholma, 2018, Sweden.

 

Monument to a Hole, 2018

 

Monument to a Hole, detail

 
 
 
2021. WHERE NATURE ENDS

‘Where Nature Ends’

NX310, 2021, London.

 
2015-2019. OTHER

Other II, Other I, 2016-2017

Equrna Gallery, 2017, Ljubljana.

 

Other III, 2018

Other III, detail

 

Other I, 2017

Other I, detail

 
 
2015–

–2015–